Who's that Queer?

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Tennessee Williams was an American playwright who won the Pulitzer Prize for Drama for A Streetcar Named Desire in 1948 and for Cat on a Hot Tin Roof in 1955. In addition, The Glass Menagerie (1945) and The Night of the Iguana (1961) received New York Drama Critics' Circle Awards. His 1952 play The Rose Tattoo received the Tony Award for best play.

Williams' homosexual relationship with Frank Merlo, a second generation Sicilian American who had served in the U.S. Navy in World War II, lasted from 1947 until Merlo's death from cancer in 1963. With that stability, Williams created his most enduring works. Merlo provided balance to many of Williams' frequent bouts with depression and the fear that, like his schizophrenic sister Rose, he would go insane.

He gave American theatergoers unforgettable characters, an incredible vision of life in the South, and a series of powerful portraits of the human condition. He was deeply interested in something he called "poetic realism," namely the use of everyday objects which, seen repeatedly and in the right contexts, become imbued with symbolic meaning. His plays also seemed preoccupied with the extremes of human brutality and sexual behavior: madness, rape, incest, nymphomania, as well as violent and fantastic deaths. Williams himself often commented on the violence in his own work, which to him seemed part of the human condition; he was conscious, also, of the violence in his plays being expressed in a particularly American setting. As with the work of Edward Albee, critics who attacked the "excesses" of Williams' work often were making thinly veiled attacked on his sexuality. Homosexuality was not discussed openly at that time, but in Williams' plays the themes of desire and isolation reveal, among other things, the influence of having grown up gay in a homophobic world.